"Yoshio Tabata, a veteran singer with a down-to-earth personality…
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A friendly, interesting and fun veteran singer.
Yoshio Tabata, commonly known as Batayan, is a man who, since I was a child, has been lullabies
from the radio to pop songs such as "Kaeri Fune" and "Wakare Fune",
"Otone Moonlit Night", "Genkai Blues", "Mugi to Heitai", etc.
I think he was a singer who was extremely popular with the masses.
My grandmother was a big fan, and she always went to see his Osaka performances at the Osaka Theater, a classic theater located in Sennichimae, Osaka. At that time, this theater did not have reserved seats, and the seats were reserved early in the morning, so it was a good place to go. In order to secure a good seat, we lined up in front of the theater. In the case of popular singers, the queue would wrap around the theater several times. My grandmother would say to me, "Shige-chan, do you want to get a part-time job? If you can save a spot, I'll give you 500 yen." In those days, 500 yen was a lot of money for a middle-school student like me. I replied without hesitation, "Yes, sure." I remember taking the first tram in the morning from my parents' house in Senba to the Grand Theater in Sennichimae to save a spot. I never dreamed I would be working with him.
In 1961, the 36th year of the Showa era, Yoshio Tabata was cast as the head clerk of an inn in the film "Hatamoto Taikutsu Otoko, Nazo no Nanairo Goten" by the great master of the north, Ichikawa Utaemon.
This was the first time we met at the studio.
Many singers appeared in this film, including Hideo Murata, Komadori, Sisters, Chiyonosuke Azuma, Nahoko Kubo, and Shingo Yamashiro.
While waiting for the filming, I went to greet Yoshio Tabata. So I said, "Ann, are you from Osaka?
I was born in Mie, but I grew up in Tsuruhashi, Osaka."
I felt a strange affinity with him, like a father or an older brother, even though I was a little older than him.
After that, I looked up to him like an older brother and we got along well.
I was able to keep in touch with Tabata Yoshio until his later years.
I was always grateful for his help when filming ended.
Even after that, I always went to visit Tabata's Osaka performances in the dressing room.
However, I was in Sennichimae, Tabata Yoshio's home ground. The large theater in the area had disappeared, and the venue had been replaced by Nakaza in Dotonbori from Sennichimae. Once a year, there was a Nakaza performance, and during that, an event that shocked the whole of Japan occurred in August 1979, I think. The newspapers reported that "Tabata Yoshio wins 60 million yen on a slot machine in Las Vegas." The whole of Japan was surprised, but I was also shocked. The following year, in the New Year of 1980, in Nagoya, a long-term performance was being held at the Chunichi Theater, so if it was okay, I would like to play. I got a call from Tabata Yoshio's manager asking if I would like to come back to see him, so naturally I went to his dressing room to visit him. I asked him about the incident in Las Vegas last year, and he told me about it in a funny way. At that time, when Tabata finished work, he would go to Las Vegas for about a week and spend his days at the casino. I stayed at the Hilton, and the slot machines at the hotel were a great way to relieve stress. I tilted the handle toward me, clanging and clanging. At that time, there were a lot of Japanese customers in Las Vegas.
It was around 4am in the morning.
The slot machines with the highest odds are Big, Junk, and Board.
The numbers are arranged in five rows horizontally and three rows vertically, top, middle, and bottom.
Big, Junk, and Board are five rows horizontally on the bottom row, and when five numbers appear, a bell starts ringing to indicate the payout.
When he looked, he saw that it was "290,000 dollars," which was "64 million yen" at the exchange rate at the time.
The hotel staff rushed over and immediately recognized the Japanese singer, Tabata Yoshio. He said that he met Paul Anker, who was doing a show in Las Vegas at the time, and that he asked him to come to his dressing room, and that they talked for a long time about the show and Japanese songs. I also went to Las Vegas once to see Frank Sinatra, and played the slot machines at the hotel, but it was a complete mess. Personally, I met Yoshio Tabata when we were shooting a movie in 1961, and he helped me out a lot after that, and I still feel like he's my big brother.
A friendly, interesting and fun veteran singer. Yoshio Tabata, commonly known as Batayan, is a man who, since I was a child, has been lullabies from the radio to pop songs such as "Kaeri Fune" and "Wakare Fune", "Otone Moonlit Night", "Genkai Blues", "Mugi to Heitai", etc. I think he was a singer who was extremely popular with the masses. My grandmother was a big fan, and she always went to see his Osaka performances at the Osaka Theater, a classic theater located in Sennichimae, Osaka. At that time, this theater did not have reserved seats, and the seats were reserved early in the morning, so it was a good place to go. In order to secure a good seat, we lined up in front of the theater. In the case of popular singers, the queue would wrap around the theater several times. My grandmother would say to me, "Shige-chan, do you want to get a part-time job? If you can save a spot, I'll give you 500 yen." In those days, 500 yen was a lot of money for a middle-school student like me. I replied without hesitation, "Yes, sure." I remember taking the first tram in the morning from my parents' house in Senba to the Grand Theater in Sennichimae to save a spot. I never dreamed I would be working with him. In 1961, the 36th year of the Showa era, Yoshio Tabata was cast as the head clerk of an inn in the film "Hatamoto Taikutsu Otoko, Nazo no Nanairo Goten" by the great master of the north, Ichikawa Utaemon. This was the first time we met at the studio. Many singers appeared in this film, including Hideo Murata, Komadori, Sisters, Chiyonosuke Azuma, Nahoko Kubo, and Shingo Yamashiro. While waiting for the filming, I went to greet Yoshio Tabata. So I said, "Ann, are you from Osaka? I was born in Mie, but I grew up in Tsuruhashi, Osaka." I felt a strange affinity with him, like a father or an older brother, even though I was a little older than him. After that, I looked up to him like an older brother and we got along well. I was able to keep in touch with Tabata Yoshio until his later years. I was always grateful for his help when filming ended. Even after that, I always went to visit Tabata's Osaka performances in the dressing room. However, I was in Sennichimae, Tabata Yoshio's home ground. The large theater in the area had disappeared, and the venue had been replaced by Nakaza in Dotonbori from Sennichimae. Once a year, there was a Nakaza performance, and during that, an event that shocked the whole of Japan occurred in August 1979, I think. The newspapers reported that "Tabata Yoshio wins 60 million yen on a slot machine in Las Vegas." The whole of Japan was surprised, but I was also shocked. The following year, in the New Year of 1980, in Nagoya, a long-term performance was being held at the Chunichi Theater, so if it was okay, I would like to play. I got a call from Tabata Yoshio's manager asking if I would like to come back to see him, so naturally I went to his dressing room to visit him. I asked him about the incident in Las Vegas last year, and he told me about it in a funny way. At that time, when Tabata finished work, he would go to Las Vegas for about a week and spend his days at the casino. I stayed at the Hilton, and the slot machines at the hotel were a great way to relieve stress. I tilted the handle toward me, clanging and clanging. At that time, there were a lot of Japanese customers in Las Vegas. It was around 4am in the morning. The slot machines with the highest odds are Big, Junk, and Board. The numbers are arranged in five rows horizontally and three rows vertically, top, middle, and bottom. Big, Junk, and Board are five rows horizontally on the bottom row, and when five numbers appear, a bell starts ringing to indicate the payout. When he looked, he saw that it was "290,000 dollars," which was "64 million yen" at the exchange rate at the time. The hotel staff rushed over and immediately recognized the Japanese singer, Tabata Yoshio. He said that he met Paul Anker, who was doing a show in Las Vegas at the time, and that he asked him to come to his dressing room, and that they talked for a long time about the show and Japanese songs. I also went to Las Vegas once to see Frank Sinatra, and played the slot machines at the hotel, but it was a complete mess. Personally, I met Yoshio Tabata when we were shooting a movie in 1961, and he helped me out a lot after that, and I still feel like he's my big brother.
마카오카지노여행 모바일바카라a 마이다스온라인카지노 호게임 버즈바카라 일본경마 아바타카지노 룰렛이벤트 먹튀잡스 internet baccarat 카지노바카라이기는법 먹튀검증소토토 슬롯검증 아리아카지노검증 블랙잭하는법 더킹플러스카지노 지니카지노쿠폰 온라인카지노하는곳 도박랜드사이트 온라인호텔카지노쿠폰 바카라타이확률 카지노이기기 짱구바카라추천 카지노먹튀검증커뮤니티 카지노꽁머니 주소추천 블랙잭게임다운 토토리아순위 엠카지노총판 드림카지노쿠폰 에볼루션카지노 룰렛돌리기사이트 카지노주소 바카라조작구분하는법 카지노게임방법 카지노앵벌이의하루 메이저파워볼사이트 피망슬롯 영화블랙잭 미슐랭카지노먹튀 스페이스맨바카라 파워볼숫자예측 로즈카지노추천인 메이저검증 포커고수 아주오래된연인들 파워볼사다리분석 헤라바카라 슬롯머신이기는방법 크레이지게임 한게임포커조작 온라인바카라주소추천사이트 블랙잭가이드 스피드바카라 사다리먹튀 짝귀바카라싸이트 슬롯머신확률 바카라게임소스 화투족보 바카라게임추천 안전바카라사이트추천 아리아카지노하는곳 산타바카라사이트 하이브카지노추천 터치스크린게임 벳매니아 예스카지노쿠폰 슬롯사이트제작 라이브바카라사이트하는법 고광렬카지노먹튀 슬롯검증 유니콘카지노 넷마블골드머니상 해외룰렛 다이야카지노쿠폰 잘터지는슬롯 그래프게임후기 엔트리파워볼분석기 뉴헤븐카지노먹튀 티파니카지노싸이트 안전한카지노추천 casino open near me 호빵맨카지노하는곳 안전바카라 카지노이기는법 잭팟게임 카지노마스터 바카라폰배팅주소 솔카지노 선시티카지노쿠폰 사설바둑이 온라인카지노슬롯 바카라사이트추천 바카라필승법 봄비먹튀 파워볼총판 파워볼분석 로즈카지노검증 카지노먹튀신고 온라인홀덤 바카라가입쿠폰 엠카지노가입쿠폰 페루공항호텔 먹튀홍보 산타바카라싸이트 유니콘카지노하는곳 마카오카지노콤프 고광열카지노무료쿠폰 카지노모음 고광렬바카라 로즈카지노검증 무료포커 먹튀사이트잡는법 무료캐시토토 온라인슬롯원리 프라그마틱슬롯정품 엠바카라사이트 스페이스맨바카라사이트 코인빗 소셜그래프게임
A friendly, interesting and fun veteran singer. Yoshio Tabata, commonly known as Batayan, is a man who, since I was a child, has been lullabies from the radio to pop songs such as "Kaeri Fune" and "Wakare Fune", "Otone Moonlit Night", "Genkai Blues", "Mugi to Heitai", etc. I think he was a singer who was extremely popular with the masses. My grandmother was a big fan, and she always went to see his Osaka performances at the Osaka Theater, a classic theater located in Sennichimae, Osaka. At that time, this theater did not have reserved seats, and the seats were reserved early in the morning, so it was a good place to go. In order to secure a good seat, we lined up in front of the theater. In the case of popular singers, the queue would wrap around the theater several times. My grandmother would say to me, "Shige-chan, do you want to get a part-time job? If you can save a spot, I'll give you 500 yen." In those days, 500 yen was a lot of money for a middle-school student like me. I replied without hesitation, "Yes, sure." I remember taking the first tram in the morning from my parents' house in Senba to the Grand Theater in Sennichimae to save a spot. I never dreamed I would be working with him. In 1961, the 36th year of the Showa era, Yoshio Tabata was cast as the head clerk of an inn in the film "Hatamoto Taikutsu Otoko, Nazo no Nanairo Goten" by the great master of the north, Ichikawa Utaemon. This was the first time we met at the studio. Many singers appeared in this film, including Hideo Murata, Komadori, Sisters, Chiyonosuke Azuma, Nahoko Kubo, and Shingo Yamashiro. While waiting for the filming, I went to greet Yoshio Tabata. So I said, "Ann, are you from Osaka? I was born in Mie, but I grew up in Tsuruhashi, Osaka." I felt a strange affinity with him, like a father or an older brother, even though I was a little older than him. After that, I looked up to him like an older brother and we got along well. I was able to keep in touch with Tabata Yoshio until his later years. I was always grateful for his help when filming ended. Even after that, I always went to visit Tabata's Osaka performances in the dressing room. However, I was in Sennichimae, Tabata Yoshio's home ground. The large theater in the area had disappeared, and the venue had been replaced by Nakaza in Dotonbori from Sennichimae. Once a year, there was a Nakaza performance, and during that, an event that shocked the whole of Japan occurred in August 1979, I think. The newspapers reported that "Tabata Yoshio wins 60 million yen on a slot machine in Las Vegas." The whole of Japan was surprised, but I was also shocked. The following year, in the New Year of 1980, in Nagoya, a long-term performance was being held at the Chunichi Theater, so if it was okay, I would like to play. I got a call from Tabata Yoshio's manager asking if I would like to come back to see him, so naturally I went to his dressing room to visit him. I asked him about the incident in Las Vegas last year, and he told me about it in a funny way. At that time, when Tabata finished work, he would go to Las Vegas for about a week and spend his days at the casino. I stayed at the Hilton, and the slot machines at the hotel were a great way to relieve stress. I tilted the handle toward me, clanging and clanging. At that time, there were a lot of Japanese customers in Las Vegas. It was around 4am in the morning. The slot machines with the highest odds are Big, Junk, and Board. The numbers are arranged in five rows horizontally and three rows vertically, top, middle, and bottom. Big, Junk, and Board are five rows horizontally on the bottom row, and when five numbers appear, a bell starts ringing to indicate the payout. When he looked, he saw that it was "290,000 dollars," which was "64 million yen" at the exchange rate at the time. The hotel staff rushed over and immediately recognized the Japanese singer, Tabata Yoshio. He said that he met Paul Anker, who was doing a show in Las Vegas at the time, and that he asked him to come to his dressing room, and that they talked for a long time about the show and Japanese songs. I also went to Las Vegas once to see Frank Sinatra, and played the slot machines at the hotel, but it was a complete mess. Personally, I met Yoshio Tabata when we were shooting a movie in 1961, and he helped me out a lot after that, and I still feel like he's my big brother.
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